egret

Why do art? And how does one get inspiration? For the first question, I will quote Aleksandr Solzhenitsyn at the end of this post. For the second, I will describe the process of how I created this watercolor.

I painted this watercolor in response to reading about Plague Number One: blood. How does one depict a bloody river Nile? A while back, I painted a dull straight river of blood. I wanted something more watery. I looked at paintings of Winslow Homer and J.M.W. Turner. Both are known for their water scenes. I happened upon a small museum book of Japanese paintings that belonged to my mother z”l. The covered showed an egret (at first, I thought it was a stork — I need to improve my birdwatching skills) bathing in a body of water. Actually, there are two egrets in the scene. I just focused on the right side. The reeds kind of look as how I would imagine greens growing next to the Nile might look. And my friend later told me indeed egrets are found in Egypt.

When I do biblical art, I recently started adding a snippet from a pasuk (a phrase of Torah) to the side of the art. Here is another version of this painting, one that cites the plague of blood:
Parshat Vaera, Shmot 7:21 “and the blood was throughout all the land of Egypt.”

Quotes from Aleksandr Solzhenitsyn’s 1970 Nobel Lecture

Who was Aleksandr Solzhenitsyn? Aleksandr Solzhenitsyn was born in 1918 in Kislovodsk, Russia. In 1945 he was arrested for criticising Stalin in private correspondence and sentenced to an eight-year term in a labour camp, to be followed by permanent internal exile. The experience of the camps provided him with raw material for One Day in the Life of Ivan Denisovich, which he was permitted to publish in 1962. In 1970 he gave a lecture upon receiving the Nobel prize, and the main topic was art.

Not everything can be named. Some things draw us beyond words. Art can warm even a chilled and sunless soul to an exalted experience. Through art we occasionally receive–indistinctly, briefly–revelations the likes of which cannot be achieved by rational thought.

Later in the lecture:

But who will reconcile these scales of values and how? Who is going to give mankind a single system of evaluation for evil deeds and for good ones, for unbearable things and for tolerable ones–as we differentiate them today? Who will elucidate for mankind what really is burdensome and unbearable and merely chafes the skin due to its proximity? Who will direct anger toward that which is more fearsome rather than toward that which is closer at hand? Who could convey this understanding across the barriers of his own human experience? Who could impress upon a sluggish and obstinate human being someone else’s far off sorrows and joys, who could give him an insight into magnitude of events and into delusions which he has never himself experienced? Propaganda, coercion, and scientific proof are equally powerless here. But fortunately there does exist a means to this end in the world! It is art. It is literature.

Source: The Solzhenitsyn Reader, edited by Edward E. Ericson, Jr. and Daniel J. Mahoney

Among the birds I saw at the Hula Valley in Israel: gallinule (moorhen), lapwing, egret, crane, pelican. My daughter saw a small blue bird fly by quickly twice – this may have been a kingfisher.

A bit of history about this magical (to me, at least) place in northern Israel:
Back in the 1950’s the malaria-ridden swamps of the Hula Valley were drained. However, this caused ecological damage. From the leaflet of the Hula Agamon Lake: “Over the years the peat earth that is typical of the Hula(organic earth the the remains of plants and animals) dried up, broke up, sunk, and even started to burn underground. The worst thing was that the phosphates and nitrates in the earth were washed into the Kinneret and polluted its waters.” In the 1990’s earth was restored; the project included digging canals that allowed the control of water in the area.

One of the major benefits of the 1990’s work was this ornithological spot, unique in the world. Over this area twice a year no less than 500 million birds migrate.

Learn more here: http://www.agamon-hula.co.il/?lang=en_US

This bird is a spur-winged lapwing or spur-winged plover.

Here is a gallinule – note that orange beak.

Here my daughter is standing by a white nesting box. We didn’t see any birds near the box, but the box reminded me of the boxes we saw at Cape May. According to the literature we were handed when we entered, these are for white owls. It seems the white owls eat voles, and voles do damage agriculturally, so eliminating the voles is a good thing.

I got some good photos of the handsome egret.

I believe this is an egret in flight.

The most abundant bird species in the area are the cranes.

Those spoonbills sure have funny beaks. (see https://twitter.com/hulakkl/status/498657479324991488)

This furry-looking guy is a muskrat.

Ah, after rain on and off, it’s nice to be rewarded with a rainbow!

Even better, here is the rainbow with birds flying by.

Notes on visiting Hula Agamon Lake: don’t do what we did and try to walk the whole thing. We should have rented the golf cart. It’s a big area! There are also bikes available to rent. It would be great to visit during a migratory period, but I feel fortunate that I got there at all.

For more nature notes, visit: